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Happy New Jamoma Web Site



Over the past 1 1/2 months I have been quietly working on a total revamp of the Jamoma web site. All of the developers have felt a need for a restructuring, in particular following the release of Jamoma 1.0 past fall.

The new web site has a new design, and it uses Bootstrap so that it works well on mobile devices as well. Additionally the structure of the site has been reorganised, making it easier to find info on the various implementations of Jamoma, tutorials and downloads. Today Stian Remvik helped doing a review of the design, and half an hour ago the new version went online.

Tutorials are still missing, but the plan is to add a series of screencasts over the coming weeks.

Hopefully this will help making Jamoma more accessible.

Field-recording at Harastølen in Luster

















Radio streaming at World Tuberculosis Day, and field trip to Luster



In a few minutes I am off to Luster in Sogn & Fjordane for a 3-day field recording trip.

Thursday coming week I’ll be performing as part of the online radio stream ToBeContinued…, organised by Stazione di Topolò and Global Health Incubator on the World Tuberculosis Day. My performance will be 1430-1500 CET. A few hours earlier Stephan Meidell will be performing, both of us from BEK.

My plan is to do a series of field recordings at Harastølen, a former institution for treatment of tuberculosis in Norway. I am also planning to work on the recordings on site, preparing my material for the performance as far as possible.

Furter information about the net radio broadcast will be available here:

François-Eudes Chanfrault (1974 - 2016)



The sad news has reached me that François-Eudes Chanfrault passed away a few days ago. He has been one of many friends that I have made around the world among the community of Max developers and users frequenting the Max mailing lists and forums over the years. When Max for Windows was first released, f.e. made a huge contribution towards all of the Max community by porting and compiling many 3rd party externals to Windows, including my filters externals. I also had the pleasure of meeting him in Paris some years ago, when he took me along to one of the better restaurants that I have ever visited in Paris.

Over the past ten years François-Eudes Chanfrault established himself as an important composer of film scores, blending acoustic chamber music, minimalism, electro-acoustics and electronica in a unique and beautiful way. A feature in The Dissolve a year ago hailed him as an innovator of music scores for horror movies:

In recent years, however, genre movie scores have gone one of three ways: carbon-copy sonic imitations of those old Carpenter sounds, nondescript orchestral arrangements that owe nearly everything to John Williams and Bernard Herrmann, or sparse and transparently avant-garde combinations of jump-scare-ready ambient sounds. To hear anything approaching iconic, you’d have to look overseas—in France, specifically, where composer François-Eudes Chanfrault has gifted his aggressively electro scores to hardcore films like High Tension and Inside. In America, though, horror scores have been far less idiosyncratic.

Some of his music can be checked out at Bandcamp and SoundCloud.

Rest in piece, f.e.

Web development: Bootstrap and fancyBox



I’m in the process of updating the layout of the Jamoma web site. It is not completed yet, so there is nothing to see so far, but one of several changes is that we’ll now use Bootstrap for mobile responsive layout.

In the past we have also used fancyBox for displaying images as light boxes. Initially I had problems getting fancyBox and Bootstrap to collaborate. It turns out that fancyBox depends on jQuery being loaded in the header while Bootstrap usually loads jQuery in the footer.

In order to test it out and get it working, I have made a fork of fancyBox that integrates Bootstrap as well. A demo of fancyBox with Bootstrap can be found here.


Creative Commons License Licensed under a Creative Commons Attribution 3.0 Norway License. Web site hosted by BEK.