This spring I have been assisting the teaching of the compositions students at the Grieg Academy. I have introduced them to the history and aesthetics of electronic music, sound editing and computer-aided composition using OpenMusic. We have emphasised that this should not be conceived as a separate tradition and practise from score-based composing. Similar thinking and approaches can be applicable in both areas, and the experience gained in one or the other field can help develop and liberate the entire compositional and artistic practise. Some of the outcomes by the students will be presented in a concert later today.
Six rooms of gloom – New works by compositions students at the Grieg Academy
Drop In concert
Bergen International Festival
The Grieg Hall – May 29 15:00
A series of new ectro-acoustic works by composition students at the Grieg Academy are presented as part of the Drop In program during the Beren International Festival.
This spring the composition students have been given an introduction to sound editing and computer-aided composition. At this concert, a series of new electro-acoustic works that employ these techniques are presented. The works relates to various genres such as radio montage, sound art, sound design and the use of field recordings.
Equipment for this concert has kindly been provided by BEK – Bergen Center for Electronic Arts.
Erik Håkon Halvorsen (1974)
(dedicated to Rebecka Ahvenniemi)
Morten Brunsberg Refsli (1989)
Aslak B. Hermstad, (1995)
El Aaiún, E6. Oslo
Tor Anders Eri (1991)
Shards from Last Night
Kari Telstad Sundet (1987)
Memory Leak (Melting – Sinking – Snowbound)
A new alpha release of Jamoma package for Max is now available. This new release (0.6.0-a46) includes all of the development that has happened over the past 6 months.
One important change with this version is that j.parameter, j.message and j.return now supports using dataspace units and rampings at the same time. Check out the help file for j.parameter for further details.
There is a urgent need to rethink how we understand and relate to the present and the future by moving away both from the naive optimism central to the inception of modernity and from the nostalgic melancholia of the postmodern. At a time when the arts and humanities are under attack, seen as “luxury disciplines” not worth investing in by right-wing governments across the Western world, there is a pressing need to reinvent new modalities of though that can be developed within these very subjects. Hypercapitalism promises but does not deliver novelty, innovation, and preemption, particularly to specific strands of society. These concepts, however, in the hands of artists and theoreticians, can become powerful research tools with which to alter the decaying landscape.
in The Rhytmic Event. Art, Media and the Sonic.
MIT Press 2014
Culture is the condition that excludes a mentality capable of measuring it.
Still from There was a dream… by Sara Rajaei.
This weekend Stiftelsen 3,14 offers a four day video screening program with works by Sara Rajaei, Cynthia Marcelle, Elena Kovylina and Eva Ljosvoll. All four artists have exhibited previously at 3,14, and this is an opportunity to see more of their more recent works.
Three of the works are world premieres; Égalité Bergen by Elena Kovylina, based on a performance at Festplassen in Bergen December 6 last year, Ikke alle dørene er lukket by Eva Ljosvoll, and there was the dream and there was a memory connected with it by Sara Rajaei.
In addition three works by Cinthia Marcelle are presented; 475 Volver, ao plano and O século, and one additional work by Sara Rajaei; 1978 the 231st day.
I have co-curated the two works by Sara Rajaei for this exhibition. Yesterday I also helped Eva setting up a Mac for the screening of her work. Based on what I’ve seen so far, it is well worth taking the trip to 3,14 over the next few days.